It's not a new concept such as Frank Capra promoted his greatest film, It's a Wonderful Life, in 1946-7 by soliciting moviegoers to write letters how they considered their own lives wonderful and Jay Ward, the producer of the Rocky and Bullwinkle TV shows used to tour in a specially marked van to do various publicity stunts across America in the early 1960s. Eventually in the mid 1960s, outside of costumed character appearances at local community events like fairs and parades, no film company bothered to do anything really fun like those moves that wasn't related to standard TV and radio commercials. Considering that there were only three major American commercials TV networks, and two Canadian national ones for that era, you can see why marketers wouldn't see the point of doing much more than buying commercials for the obvious timeslots.
Now, with the TV audience heavily divided with the plethora of cable channels, providing people are watching them at all, marketers have to take a proactive push to promote films far beyond the usual official websites, although Wreck-it Ralph has some fun webgames equivalents of the games in its film. As it is the film companies have had to return to some interactive promotional stunts to get some attention, but there is a right and wrong way to do it.
|From Superman vol. 2 #5 (May 1987)|
Kevin Smith has tried to defend this silly promotion with condescending rhetoric: "The campaign is for people who are in the mainstream. It is certainly not for the comic book aficionado. It was more to capture the attention of those who don't make Superman and comic books the focus of their lives." That doesn't hold water considering that method has been used to the most significant TV adaptations of the modern Superman over the decades before Smallville: Lois and Clark: The New Adventures of Superman and Superman: The Animated Series, although they cheated slightly by using ordinary mirrors instead of the reflective plate from his Kryptonian rocket ship. Considering each was at least a reasonably significant popular success on that mass medium, one hardly needs to be an avid comic book fan to know this little factoid.
Instead, we get a curt dismissal of fans for a cheap promo that treats everyone like ignoramuses about a well established pop culture trivia fact that could be found with a simple online search. As much as I know the promo has been successful in sheer response numbers, but does it have to be at the expense of annoying fans who have stuck with the character
It would have been more plausible to have done this kind of promo stunt for Superman Returns for how Superman could be surgically treatment for being kryptonite stabbed into his body with fragments breaking off internally. That was apparently never addressed in the TV shows and you'd have to read Superman vol. 2 #4 to learn that a surgeon had to use a controlled exposure to kryptonite to weaken his skill in order to make incisions. I would have loved to seeing a medical company and/or hospital taking on that promo challenge back in 2006.
By contrast to the Man of Steel promo, this idea is wonderfully fun with the idea of emulating 007 as you race against the clock to win the challenge. The only way it could have been enhanced, with some risk, is that if a classic privileged henchman villain from the films like Jaws or Oddjob could try standing in the contestants' way. In other words, this promo was designed with some real thought about the property and how to emulate its spirit in a way that fans will eagerly accept.
In short, I would love to see more publicity stunts that take the time to know the property and treat the fans with some respect.